{"id":141460,"date":"2026-04-28T08:38:19","date_gmt":"2026-04-28T08:38:19","guid":{"rendered":"https:\/\/rdnews.al\/?p=141460"},"modified":"2026-04-28T08:38:19","modified_gmt":"2026-04-28T08:38:19","slug":"presidenti-meta-ne-kafazin-e-denimit-nje-skene-makabre-e-nje-drejtesie-te-koheve-me-te-erreta","status":"publish","type":"post","link":"https:\/\/rdnews.al\/index.php\/2026\/04\/28\/presidenti-meta-ne-kafazin-e-denimit-nje-skene-makabre-e-nje-drejtesie-te-koheve-me-te-erreta\/","title":{"rendered":"Presidenti Meta n\u00eb kafazin e d\u00ebnimit, nj\u00eb sken\u00eb makabre e nj\u00eb drejt\u00ebsie t\u00eb koh\u00ebve m\u00eb t\u00eb err\u00ebta"},"content":{"rendered":"<p><strong>Nga Ndri\u00e7im KULLA<\/strong><\/p>\n<p>Kur drejt\u00ebsia pushon s\u00eb qeni nj\u00eb mekaniz\u00ebm i ftoht\u00eb institucional dhe shnd\u00ebrrohet n\u00eb nj\u00eb sken\u00eb ku pushteti, i zhveshur nga \u00e7do ndrojtje, vendos t\u00eb luaj\u00eb dram\u00ebn e tij m\u00eb t\u00eb err\u00ebt, jo p\u00ebr t\u00eb zbuluar t\u00eb v\u00ebrtet\u00ebn, por p\u00ebr ta deformuar at\u00eb deri n\u00eb pik\u00ebn ku publiku nuk arrin m\u00eb t\u00eb dalloj\u00eb n\u00ebse po sheh nj\u00eb gjyq apo nj\u00eb ritual nd\u00ebshkimi t\u00eb parap\u00ebrcaktuar, pluralizmi politik ka mbaruar. Dhe pik\u00ebrisht ky \u00e7ast duket se u materializua n\u00eb trajtimin q\u00eb iu b\u00eb Ilir Meta, nj\u00eb figur\u00eb q\u00eb, pavar\u00ebsisht q\u00ebndrimeve apo polemikave q\u00eb mund ta ken\u00eb shoq\u00ebruar gjat\u00eb karrier\u00ebs s\u00eb tij, nuk mund t\u00eb zhvishet nga statusi i nj\u00eb personaliteti publik pa u cenuar nj\u00ebkoh\u00ebsisht vet\u00eb ideja e rendit kushtetues dhe e dinjitetit institucional.<\/p>\n<p>Pamja e transmetuar, e ngjeshur me simbole t\u00eb err\u00ebta dhe t\u00eb p\u00ebrpunuara me nj\u00eb kujdes q\u00eb nuk i p\u00ebrket spontanitetit t\u00eb drejt\u00ebsis\u00eb, por regjis\u00eb s\u00eb nj\u00eb pushteti q\u00eb k\u00ebrkon t\u00eb mbjell\u00eb frik\u00eb, rikthente n\u00eb m\u00ebnyr\u00eb t\u00eb pashmangshme kujtes\u00ebn e nj\u00eb tjet\u00ebr drame evropiane, at\u00eb t\u00eb Aldo Moros, jo sepse rrethanat jan\u00eb t\u00eb nj\u00ebjta, por sepse imazhi i nj\u00eb njeriu t\u00eb izoluar, sikur kishte jetuar n\u00ebn tortur\u00eb n\u00eb kampet e p\u00ebrqendrimit, i ekspozuar si objekt dhe jo si subjekt i drejt\u00ebsis\u00eb, krijon t\u00eb nj\u00ebjtin ankth t\u00eb thell\u00eb: at\u00eb t\u00eb nj\u00eb sistemi q\u00eb e ka humbur kufirin midis ligjit dhe spektaklit t\u00eb dhun\u00ebs simbolike.<\/p>\n<p>N\u00eb k\u00ebt\u00eb sken\u00eb, ku xhami i kafazit nuk \u00ebsht\u00eb thjesht nj\u00eb element sigurie, por nj\u00eb metafor\u00eb e tejdukshme e ndarjes midis njeriut dhe t\u00eb drejtave t\u00eb tij, midis individit dhe dinjitetit q\u00eb duhet ta shoq\u00ebroj\u00eb edhe n\u00eb momentin m\u00eb t\u00eb r\u00ebnd\u00eb t\u00eb p\u00ebrballjes me drejt\u00ebsin\u00eb, ajo q\u00eb trondit nuk \u00ebsht\u00eb vet\u00ebm forma, por q\u00ebllimi q\u00eb ajo form\u00eb sugjeron: nj\u00eb proces q\u00eb nuk synon t\u00eb d\u00ebgjoj\u00eb, por t\u00eb shfaq\u00eb; t\u00eb frik\u00ebsoj\u00eb dhe t\u00eb n\u00ebnshtroj\u00eb.<\/p>\n<p>Drejt\u00ebsia, kur \u00ebsht\u00eb e v\u00ebrtet\u00eb, nuk ka nevoj\u00eb p\u00ebr skenografi; ajo nuk k\u00ebrkon kafaze p\u00ebr t\u00eb bindur, nuk ka nevoj\u00eb p\u00ebr koreografi p\u00ebr t\u00eb imponuar autoritetin e saj dhe, mbi t\u00eb gjitha, nuk e trajton asnj\u00eb t\u00eb akuzuar si nj\u00eb figur\u00eb q\u00eb duhet posht\u00ebruar publikisht p\u00ebrpara se t\u00eb gjykohet, pasi vet\u00eb procesi i drejt\u00eb \u00ebsht\u00eb garancia e vetme e legjitimitetit t\u00eb saj; nd\u00ebrsa n\u00eb rastin konkret, ajo q\u00eb u pa ishte nj\u00eb p\u00ebrmbysje e k\u00ebtij parimi, nj\u00eb transformim i sall\u00ebs s\u00eb gjyqit n\u00eb nj\u00eb hap\u00ebsir\u00eb ku njeriu shfaqet i reduktuar, i kontrolluar, i ekspozuar, si p\u00ebr t\u00eb dh\u00ebn\u00eb nj\u00eb mesazh q\u00eb shkon p\u00ebrtej tij dhe u drejtohet t\u00eb gjith\u00ebve: pushteti ka forc\u00ebn t\u00eb t\u00eb shnd\u00ebrroj\u00eb n\u00eb simbol frike.<\/p>\n<p>N\u00eb k\u00ebt\u00eb kuptim, nuk \u00ebsht\u00eb m\u00eb vet\u00ebm \u00e7\u00ebshtja e nj\u00eb individi, por e nj\u00eb tmerri q\u00eb po vendoset, e nj\u00eb precedenti q\u00eb, n\u00ebse pranohet n\u00eb heshtje, rrezikon t\u00eb b\u00ebhet norma e re, ku \u00e7do kund\u00ebrshtar potencial, \u00e7do figur\u00eb q\u00eb perceptohet si rrezik p\u00ebr ekuilibrat e pushtetit, mund t\u00eb trajtohet jo si subjekt i ligjit, por si objekt i nj\u00eb mase nd\u00ebshkuese q\u00eb paraprin \u00e7do vendim gjyq\u00ebsor; dhe pik\u00ebrisht k\u00ebtu lind shqet\u00ebsimi m\u00eb i thell\u00eb, sepse drejt\u00ebsia q\u00eb paragjykon p\u00ebrpara se t\u00eb gjykoj\u00eb, q\u00eb shfaq p\u00ebrpara se t\u00eb d\u00ebgjoj\u00eb, q\u00eb nd\u00ebshkon p\u00ebrpara se t\u00eb provoj\u00eb, nuk \u00ebsht\u00eb m\u00eb drejt\u00ebsi, por nj\u00eb instrument i frik\u00ebs.<\/p>\n<p>N\u00eb sfondin e k\u00ebsaj drame q\u00eb zhvillohet pa britma, por me nj\u00eb intensitet t\u00eb heshtur q\u00eb e b\u00ebn edhe m\u00eb t\u00eb r\u00ebnd\u00eb, q\u00ebndron hija e nj\u00eb regjimi q\u00eb p\u00ebrpiqet t\u00eb ruaj\u00eb veten jo p\u00ebrmes besimit q\u00eb frym\u00ebzon, por p\u00ebrmes pasiguris\u00eb q\u00eb p\u00ebrhap, duke krijuar nj\u00eb realitet ku qytetar\u00ebt nuk shohin m\u00eb institucione t\u00eb pavarura, por mekanizma q\u00eb mund t\u00eb aktivizohen n\u00eb \u00e7do moment p\u00ebr t\u00eb prodhuar spektakle t\u00eb tilla, t\u00eb dizajnuara p\u00ebr t\u00eb treguar forc\u00eb dhe p\u00ebr t\u00eb mbjell\u00eb dor\u00ebzim.<\/p>\n<p>N\u00eb k\u00ebt\u00eb teat\u00ebr t\u00eb err\u00ebt, ku \u00e7do detaj duket i menduar p\u00ebr t\u00eb p\u00ebrforcuar pamjen e rreme t\u00eb pushtetit, figura e Edi Rama shfaqet jo domosdoshm\u00ebrisht si nj\u00eb aktor i drejtp\u00ebrdrejt\u00eb n\u00eb sken\u00eb, por si regjizori i nj\u00eb atmosfere ku drejt\u00ebsia dhe politika jan\u00eb nj\u00eb dhe nd\u00ebrthuren n\u00eb nj\u00eb m\u00ebnyr\u00eb q\u00eb e b\u00ebn t\u00eb pamundur t\u00eb dallosh se ku mbaron nj\u00ebra dhe ku fillon tjetra; dhe pik\u00ebrisht kjo nd\u00ebrthurje, kjo mjegull q\u00eb mbulon kufijt\u00eb institucional\u00eb, \u00ebsht\u00eb ajo q\u00eb e b\u00ebn edhe m\u00eb t\u00eb friksh\u00ebm perceptimin e asaj q\u00eb ndodhi.<\/p>\n<p>Sepse kur nj\u00eb ish-president trajtohet si nj\u00eb figur\u00eb q\u00eb duhet t\u00eb izolohet fizikisht dhe simbolikisht n\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb q\u00eb t\u00eb krijoj\u00eb asociacione me forma ekstreme t\u00eb kriminalitetit apo terrorit, deri n\u00eb at\u00eb pik\u00eb sa imazhi i tij t\u00eb mund t\u00eb kujtoj\u00eb, n\u00eb m\u00ebnyr\u00eb t\u00eb pavet\u00ebdijshme, figura t\u00eb lidhura me organizata si ISIS, at\u00ebher\u00eb kemi kaluar te drejt\u00ebsia demonizuese.<\/p>\n<p>N\u00eb k\u00ebt\u00eb kontekst, ajo q\u00eb mbetet \u00ebsht\u00eb nj\u00eb ndjesi e thell\u00eb e padrejt\u00ebsis\u00eb, jo domosdoshm\u00ebrisht n\u00eb kuptimin e pafaj\u00ebsis\u00eb apo faj\u00ebsis\u00eb s\u00eb individit, por n\u00eb m\u00ebnyr\u00ebn se si trajtohet ai, n\u00eb m\u00ebnyr\u00ebn se si i mohohet nj\u00eb minimum dinjiteti q\u00eb duhet t\u00eb jet\u00eb i panegociuesh\u00ebm n\u00eb \u00e7do sistem q\u00eb pretendon t\u00eb jet\u00eb demokratik; dhe kjo ndjesi, e akumuluar n\u00eb nd\u00ebrgjegjen kolektive, \u00ebsht\u00eb shum\u00eb m\u00eb e rrezikshme se \u00e7do konflikt politik, sepse ajo g\u00ebrryen besimin, shkat\u00ebrron legjitimitetin dhe hap rrug\u00ebn p\u00ebr nj\u00eb realitet ku drejt\u00ebsia nuk shihet m\u00eb si mbrojtje, por si k\u00ebrc\u00ebnim.<\/p>\n<p>K\u00ebshtu, ajo q\u00eb u pa nuk ishte thjesht nj\u00eb seanc\u00eb gjyq\u00ebsore, por nj\u00eb akt q\u00eb mbart n\u00eb vetvete nj\u00eb dometh\u00ebnie m\u00eb t\u00eb thell\u00eb, nj\u00eb sinjal se balancat jan\u00eb zhvendosur, se kufijt\u00eb jan\u00eb zbehur dhe se pushteti \u00ebsht\u00eb i gatsh\u00ebm t\u00eb p\u00ebrdor\u00eb \u00e7do mjet p\u00ebr t\u00eb ruajtur veten, edhe n\u00ebse kjo do t\u00eb thot\u00eb t\u00eb sakrifikoj\u00eb parimet mbi t\u00eb cilat duhet t\u00eb mb\u00ebshtetet vet\u00eb ekzistenca e tij; dhe pik\u00ebrisht k\u00ebtu q\u00ebndron tragjedia e v\u00ebrtet\u00eb, nj\u00eb tragjedi q\u00eb nuk ka nevoj\u00eb p\u00ebr britma p\u00ebr t\u00eb qen\u00eb e till\u00eb, sepse ajo zhvillohet n\u00eb heshtje, n\u00eb normalizimin gradual t\u00eb nj\u00eb realiteti ku e jasht\u00ebzakonshmja b\u00ebhet e zakonshme dhe ku padrejt\u00ebsia fillon t\u00eb duket si rend.<\/p>\n<p>Ky \u00ebsht\u00eb momenti kur shoq\u00ebria duhet t\u00eb pyes\u00eb me urgjenc\u00eb veten jo p\u00ebr fatin e nj\u00eb individi, por p\u00ebr fatin e saj, sepse m\u00ebnyra se si trajtohet m\u00eb i ekspozuari sot \u00ebsht\u00eb paralajm\u00ebrimi m\u00eb i qart\u00eb p\u00ebr m\u00ebnyr\u00ebn se si mund t\u00eb trajtohet kushdo nes\u00ebr; dhe n\u00ebse ky paralajm\u00ebrim kalon pa u kuptuar, at\u00ebher\u00eb ajo q\u00eb mbetet nuk \u00ebsht\u00eb m\u00eb nj\u00eb sistem drejt\u00ebsie, por nj\u00eb regjim q\u00eb e p\u00ebrdor drejt\u00ebsin\u00eb si mask\u00eb, nd\u00ebrsa pas saj fshihet nj\u00eb mekaniz\u00ebm i ftoht\u00eb dhe i pam\u00ebshirsh\u00ebm i kontrollit.<\/p>\n<p>K\u00ebtu, mbetet nuk \u00ebsht\u00eb prova n\u00ebse nj\u00eb njeri \u00ebsht\u00eb fajtor apo i pafajsh\u00ebm, por n\u00ebse nj\u00eb shoq\u00ebri pranon q\u00eb dinjiteti t\u00eb z\u00ebvend\u00ebsohet nga frika dhe gjykimi, sepse n\u00eb \u00e7astin kur drejt\u00ebsia fillon t\u00eb duket si nd\u00ebshkim i parashkruar dhe jo si k\u00ebrkim i s\u00eb v\u00ebrtet\u00ebs, at\u00ebher\u00eb nuk \u00ebsht\u00eb m\u00eb nj\u00eb individ q\u00eb vihet n\u00eb prov\u00eb, por vet\u00eb kufiri q\u00eb ndan shtetin nga regjimi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nga Ndri\u00e7im KULLA Kur drejt\u00ebsia pushon s\u00eb qeni nj\u00eb mekaniz\u00ebm i ftoht\u00eb institucional dhe shnd\u00ebrrohet n\u00eb nj\u00eb sken\u00eb ku pushteti, i zhveshur nga \u00e7do ndrojtje, vendos t\u00eb luaj\u00eb dram\u00ebn e tij m\u00eb t\u00eb err\u00ebt, jo p\u00ebr t\u00eb zbuluar t\u00eb v\u00ebrtet\u00ebn, por p\u00ebr ta deformuar at\u00eb deri n\u00eb pik\u00ebn ku publiku nuk arrin m\u00eb t\u00eb dalloj\u00eb &hellip;<\/p>\n","protected":false},"author":4,"featured_media":141443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":["post-141460","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-editorial"],"_links":{"self":[{"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/posts\/141460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/comments?post=141460"}],"version-history":[{"count":1,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/posts\/141460\/revisions"}],"predecessor-version":[{"id":141461,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/posts\/141460\/revisions\/141461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/media\/141443"}],"wp:attachment":[{"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/media?parent=141460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/categories?post=141460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rdnews.al\/index.php\/wp-json\/wp\/v2\/tags?post=141460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}